Grammy-winning Robert Cray Band plays the blues at Penn’s Peak in Jim Thorpe on June 24
From a press release:
It was announced today that the five-time Grammy Award-winning Robert Cray Band will play the blues at Penn’s Peak in Jim Thorpe on Sunday, June 24 at 8 p.m.
Tickets, which are $25 for regular seating or $30 for premium seating, go on sale this Friday, Feb. 9 at 10 a.m. and will be available at ticketmaster.com and all Ticketmaster outlets, the Penn’s Peak box office (325 Maury Rd., Jim Thorpe), and Roadies Restaurant and Bar (325 Maury Rd., Jim Thorpe). Penn’s Peak box office and Roadies Restaurant ticket sales are walk-up only; no phone orders.
“You gotta keep your ears open and expand your mind,” Robert Cray once said.
Open ears and an open mind are the essence of singer, guitarist, and songwriter Robert Cray’s approach to writing, recording, and playing music. He has created a sound that rises from American roots and arrives today both fresh and familiar. In just over 40 years, Cray and his band have recorded over 20 studio releases, the majority of which have been on the Billboard charts, and played bars, concert halls, festivals, and arenas around the world. There are five Grammys with Cray’s name on them, and he has a suitcase full of W.C. Handy blues awards. In 2011, Cray was inducted into the Blues Hall of Fame and he received the Americana Music Lifetime Achievement Award for Performance in 2017.
The glow of a career in music began when Cray was a teen and, in 1974, it burst into flames as The Robert Cray Band came together in Eugene, Oregon. How strong was the fire?
“Richard and I didn’t own a vehicle, and we were staying with his girlfriend in Eugene. We hitched a ride to Salem, where our drummer Tom Murphy was going to school, to rehearse,” Cray recalls.
With the group’s 1980 debut release “Who’s Been Talkin’,” word about the Cray Band began to spread across the Northwest and down in to California. Playing packed bars and roadhouses, the band was thrilling. Blues and soul fans showed up religiously, but those steamy raucous sets also drew crowds whose tastes in music ranged from rock to funk and jazz.
Following the path of fame taken by blues-based rockers like Johnny Winter and Stevie Ray Vaughan, Cray became a sensation, leading his band in concerts at large arenas and rock festivals. He was the first African American artist since Jimi Hendrix to rise to such fame in rock music. The multimedia “4 Nights of 40 Years Live” is a testament to the band’s longevity and vitality. The 1980s concert footage is exuberant and shows the charisma of Young Bob (a reference in song that Cray makes to himself in homage to Muddy Waters calling himself Young Muddy) as a guitarist, vocalist, and band leader. The live performances at recent concerts capture seasoned musicians bringing a vivid, illustrative past into the moment. Cray’s Stratocaster solos, sing,, cries, and takes on the funk. His voice has grown richer and wiser, yet it remains sweet.
It is extraordinary for musicians to thrive over four decades, and The Robert Cray Band is just that, an extraordinary story of success. Texas blues and R&B artist Jimmie Vaughan sums up Robert Cray’s singularity and success simply when he says, “He’s got one foot in the future and one foot in the old stuff.”
