CONCERT REVIEW: David Brighton channels David Bowie for spot-on tribute in Wilkes-Barre

When David Bowie died unexpectedly in January just two days after his 69th birthday, many of us thought we would never again hear his classic songs in a live setting.

Enter David Brighton, who portrays Bowie on stage in “Space Oddity: The Ultimate David Bowie Experience.” Many tribute artists claim to be the best, but judging from his performance at the F.M. Kirby Center in Wilkes-Barre on Tuesday, Aug. 9, Brighton has the look, sound, and chops to back it up.

Taking the stage in a white dress shirt, black vest, and black trousers, Brighton sang a clutch of songs associated with Bowieโ€™s โ€œplastic soulโ€ phase and his later emergence as the Thin White Duke (1974-76). Brighton opened with โ€œRebel Rebelโ€ from 1974โ€™s โ€œDiamond Dogs,โ€ then did great versions of โ€œYoung Americansโ€ and โ€œGolden Yearsโ€ from the 1975 album โ€œYoung Americans.โ€

For some reason, which wasnโ€™t really explained by his flippant comment about 1985 being the โ€œworst year in music history,โ€ Brighton jumped ahead to โ€œDancing in the Street,โ€ Bowieโ€™s Live Aid duet with Mick Jagger.

Brighton got back on track with a gorgeous version of 1970โ€™s โ€œThe Man Who Sold the World,โ€ the always funky โ€œFameโ€ from 1975 (Bowieโ€™s first No. 1 hit), and the lesser-known โ€œStayโ€ from 1976โ€™s โ€œStation to Station.โ€

The singer left the stage halfway through the latter number, only to reappear as Ziggy Stardust, first introduced to the masses by 1972โ€™s โ€œThe Rise and Fall of Ziggy Stardust and the Spiders from Mars.โ€

This section of the tribute started with that recordโ€™s โ€œHang On to Yourself,โ€ then moved on to a great rendition of the title track. Brighton then followed with another glam-rock masterpiece of the time period, T. Rexโ€™s โ€œGet It Onโ€ (also known as โ€œBang a Gong (Get It On)โ€ in the U.S.).

Brighton led up to the intermission with knockout performances of โ€œChanges,โ€ โ€œSpace Oddity,โ€ โ€œThe Jean Genie,โ€ and โ€œSuffragette City.โ€

Special recognition must go to Brightonโ€™s crack backing band – guitarists Switch (who took on the role of Bowieโ€™s real-life foil Mick Ronson) and Paul Nelson, bassist Trent Stroh, drummer Ryan Brown, and keyboardist/background vocalist Brooke Naughton – who pulled off the intricacies of the โ€œSpace Oddityโ€ arrangement with flair and brought the right sounds at the right times all evening long.

The second half of the tribute had Brighton dressed in a canary yellow suit for a recreation of Bowieโ€™s 1983 โ€œSerious Moonlightโ€ tour. This section started with โ€œLetโ€™s Dance,โ€ Bowieโ€™s second (and last) chart topper, and 1980โ€™s โ€œAshes to Ashes.โ€

Then came knockout versions of โ€œCat People (Putting Out Fire),โ€ โ€œAll the Young Dudes,โ€ the glam-rock anthem Bowie wrote for Mott the Hoople, and โ€œWhere Have All the Good Times Gone,โ€ a Kinks song Bowie recorded for his โ€œPin Upsโ€ collection in 1973.

The 1971 album โ€œHunky Doryโ€ was well-represented by a stunning version of โ€œLife on Mars?โ€ (and the earlier โ€œChangesโ€), then it was on to an exuberant version of โ€œUnder Pressure,โ€ with guitarist Nelson handling the Freddie Mercury part remarkably well.

The second set ended with โ€œHeroes,โ€ a 1977 song that has gone on to be included on multiple โ€œgreatest of all timeโ€ lists, and the first encore was Bowieโ€™s 1983 smash โ€œModern Love.โ€

Just when you thought the show was over, the band came back out for a raucous version of โ€œThe Time Warpโ€ from โ€œThe Rocky Horror Show,โ€ which somehow seemed a fitting way to top off the evening.

Brad Patton
Brad Pattonhttps://nepascene.com
Brad has been writing about music and reviewing concerts in NEPA for nearly a decade. He also hosts a two-hour show on 88.5-FM WRKC (King's College radio) every Tuesday at 7 p.m. Contact him at bpattonnepascene@gmail.com.