Country rapper Bubba Sparxxx performs at Stage West in Scranton on Jan. 12
From a press release:
It was announced this week that Bubba Sparxxx, an originator of the modern rap country genre with songs like “Deliverance,” “Ugly,” and “Ms. New Booty,” will perform at Stage West in Scranton on Saturday, Jan. 12, 2019 at 8 p.m.
Mountain Top duo Always Undecided, named Best New Artist in the 2018 Steamtown Music Awards, and Scranton singer/songwriter Adam Farley will open the 21+ show.
Tickets, which are $17 for advanced general admission and $50 for a post-show meet and greet, are on sale now and can be purchased online via Eventbrite or at the door (301 N. Main Ave., Scranton).
It seems like country rap is starting to take over mainstream. With the recent success of Colt Ford and The Lacs, along with current “rap-style” hits by country mega stars Jason Aldean (“Dirt Road Anthem”), Toby Keith (“Red Solo Cup”), and Tim McGraw (“Truck Yeah”), one would think that this is a new concept. But some hip-hop fans would say that this movement actually began in 2001 with the release of Bubba Sparxxx’s debut album “Dark Days, Bright Nights.” The video for the first single, “Ugly,” featured Bubba and pals in the mud with pigs on tractors and performing in front of a house covered with bug lights. If that’s not the epitome of country, then nothing is.
Fast forward 11 years and you find Sparxxx reuniting with his original collaborator, Shannon “Fat Shan” Houchins, who built the successful record label Average Joes Entertainment on the foundation of blending musical genres.
“Bubba and I grew up listening to hip-hop and riding in jacked-up trucks,” Houchins said. “I was producing mainstream rap and R&B records when Bubs first came to me and said ‘Why don’t we combine the music we like with lyrics about the lifestyle we live.'” This wake up call led to the creation of the movement.
The platinum-certified “Dark Days, Bright Nights” debuted on Interscope Records in October of 2001 and was produced by Houchins and superstar producers Timbaland and Organized Noize. It was followed up by the critically acclaimed 2003 release “Deliverance.”
“I remember thinking, as a 12 or 13-year-old kid, that the spirit of hip-music wasn’t a whole lot different than the spirit of ‘outlaw’ country music I had grown up hearing around my pops and uncles,” Sparxxx recalls.
“The rebellious nature of, say, NWA or 2 Live Crew or The Geto Boys in the late ’80s, early ’90s just wasn’t that different from the movement that guys like Waylon Jennings, Willie Nelson, Billy Joe Shaver, and others created by simply being themselves and saying what they wanted. Not to mention things were changing in rural areas during my teenage years. The various drug epidemics had penetrated my neck of the woods, and the ‘reality’ of life in the country had begun to shift. Folks were still hard-working and had traditional values, but drugs and violence had become more prevalent as a new generation of boys and girls became men and women in this environment. In some ways, the lower class, even out there where we were, started to identify as much with rap music as country. This coincided with hip-hop and rap exploding on popular culture, so the merging of the two genres, in terms of people riding around listening to both, happened long before a ‘country rap’ song was ever recorded.”
Sparxxx continues, in its own words:
“This is what we knew, and what me and Colt started trying to sell Fat Shan on in the late ’90s. Now, Shannon was a country guy but had been living in Atlanta for a few years, producing traditional hip-hop, and R&B, so he wasn’t necessarily seeing firsthand what we were witnessing in outer provinces of the state. Then, one day, Shannon and I took a trip back to Valdosta and went to a ‘honky tonk’ to drink a beer and hang. He was blown away when, around midnight, the line dancing came to a halt and the DJ started playing Kilo, 69 Boyz, and a lot of other ‘booty shake’ music. And these ‘rednecks’ we’re going crazy, lovin’ every minute of it! That’s when I knew I had him.
“With the first album, ‘Dark Days, Bright Nights,’ we knew the people we wanted to reach but didn’t necessarily know how to reach them. This would really be the case with ‘Deliverance’ a couple years later. We had hooked up with Organized Noize and Timbaland, two of the most accomplished and respected names in urban music, and they had really bought in to what we were trying to do. This was an exciting time! We were very successful with the first album, taking baby steps toward bringing the two worlds together. The lyrics and imagery were definitely country, but the music was still pretty urban leaning. In retrospect, that’s probably right where we needed to be at that time. As we prepared to record the second album, ‘Deliverance,’ it was actually Timbaland who decided the music needed to match the lyrics and imagery.
“As bold as ‘Deliverance’ was, it was probably too big of a leap forward to win commercially when it was released in 2003. We were still marketing and promoting the ‘old way’ and spending tons of money at radio and trying to get MTV and BET to play the video. It was also at a time when Lil John had the whole world ‘crunk.’
“Looking back, it’s actually pretty remarkable that the song and album ‘Deliverance’ did as well as they did. We just didn’t know how to reach the people we were representing. Keep in mind there was no YouTube, and the Internet was still an infant in terms of the impact it would soon have on music. Interscope Records did the best they could, based on the way they did things at the time but, in the end, we all failed miserably in thinking of ways to market an album so outside of the box.
“So ‘Deliverance’ had failed by Interscope standards, and my family couldn’t eat critical acclaim, so on the next album, we definitely made a conscious effort to play it a little safer and head back towards the ‘middle.’
“It took time, but Shannon and Colt eventually ironed out the kinks and really spearheaded the post-‘Deliverance’ ‘country rap’ movement. I salute everybody doing their thing in this lane. I would just encourage everybody to remember that what’s going on here isn’t country music, and it isn’t rap music; it’s some new shit that traditionalists on both sides may never accept, but that’s ‘OK.’ Who cares? The people will, and that’s the point. And I will slap anybody who questions my right to sit at this table and eat. We fought wars for this, and it wasn’t always this easy. New South.”
Sparxxx signed a recording contract with Virgin Records in 2004 and released the album “The Charm” in 2006 with the singles “Ms. New Booty” and “Heat It Up.” He left Virgin to establish his own label, New South Entertainment, which is distributed by E1 Records. In 2007, he released a mixtape with DJ Burn One titled “Survive Till Ya Thrive.” In 2012, he signed to Backroad Records, a subsidiary of Average Joes Entertainment, and recorded the song “Country Boy Coolin’,” which was featured on “Mud Digger Vol. 3,” a compilation album released by Average Joes on June 12, 2012.
In 2013, Sparxxx released his next album, “Pain Management,” with music videos for the singles “Splinter” featuring Crucifix and “Country Folks,” which features Danny Boone of the band Rehab and Colt Ford.
In 2016, he signed to Yelawolf’s Slumerican records imprint and released “The Bubba Mathis EP.” His latest album, “Rapper From the Country,” just came out on Sept. 16, 2018 through New South Entertainment.