Slayer takes Final Campaign with Primus, Ministry, and Phil Anselmo to Giant Center in Hershey on Nov. 6
From a press release:
This seventh and final leg of the tour will start in Asheville, North Carolina and see the band taking its goodbye bow at the Los Angeles Forum on Nov. 30. A unique new lineup of Primus, Ministry, and Philip H. Anselmo & the Illegals (playing a special set of Pantera songs) will accompany them for this last ride on all dates.
The Final Campaign is set to stop at the Giant Center in Hershey on Wednesday, Nov. 6 at 6 p.m.
A radio station pre-sale runs this Thursday, July 11 from 10 a.m.-10 p.m. using the promo code RADIO on ticketmaster.com. Tickets, which start at $35.35, go on sale to the general public this Friday, July 12 at 10 a.m. and will be available at the Giant Center box office (550 Hersheypark Dr., Hershey), online at hersheyentertainment.com and Ticketmaster, and by phone at 717-534-3911 or 800-745-3000.
The final world tour began on May 10, 2018 with the band’s intention to play as many places as possible to make it easy for the fans to see one last Slayer show and say goodbye. By the time the 18-month trek wraps on Nov. 30, Tom Araya (bass and vocals), Kerry King (guitars), Gary Holt (guitars), and Paul Bostaph (drums) will have completed seven tour legs, plus a series of one-off major summer festivals, performing more than 140 shows in 30 countries and 40 U.S. states.
Slayer’s last tour has been a wild ride. Three bus drivers, four truck drivers, and a crew of 32 have traveled all over the world to set the stage for this farewell. At most shows, Slayer’s pyro expert set off 160 pounds of propane and 10 liters of 99 percent isopropyl alcohol, prompting the Phoenix New Times reviewer to comment on the “eyebrow-singeing pyrotechnics that could be felt even 10 rows behind the pit.” In Toronto, one diehard fan was ejected from the concert before Slayer took the stage, so he jumped into Lake Ontario (that surrounds the Budweiser Arena) and swam back to the venue.
The Tampa Bay Times’ Jay Cridlin wrote, “Beginning with the throttling opener ‘Repentless,’ Slayer tore through their set like a flaming cigarette boat across the river Styx, charring up a vicious circle pit by the stage,” and Detroit’s Gary Graff noted in his Oakland Press review the “10,000 headbangers who skipped the ‘Game of Thrones’ finale to pay homage to the pioneering quartet.” “The sheer physicality of their show was something to behold and was yet another indication that while the band may be calling it a career, they are going out on top, playing at their absolute best,” wrote Andy Lindquist for the SF Sonic, and Guy D’Astolfo with the Youngtown Vindicator ended his review with this: “After the final note, Tom Araya stood alone, scanning the crowd… forging a mental imprint of the moment. After a minute or two, he went to the microphone and said, ‘I’m going to miss you guys.’ Then he exited and the lights went up.”
Slayer, the long-reigning titans of thrash, released their 11th and possibly final studio album via Nuclear Blast on Sept. 11, 2015. Produced by Terry Date, “Repentless” was written and recorded by King and Araya at Henson Studios in Los Angeles, along with returning drummer Paul Bostaph and guitarist Gary Holt. “Repentless” is crushing and brutal, steadfastly refusing to cater to the mainstream.
Formed in 1981, Slayer remains the preeminent punk/thrash band that helped establish the genre and that up-and-coming metalheads continue to revere and emulate. Slayer is a five-time nominated, two-time Grammy Award-winning metal juggernaut that writes songs which mirror the turmoil and aberrations of our society. “Repentless,” the band’s first new album in six years, continues the Slaytanic offensive with a 12-song, blood-shaking sonic attack. It is dark, fast, aggressive, and without mercy. It was also the most challenging record Slayer has ever had to make.
In 2013, the world mourned the loss of guitarist Jeff Hanneman, who died from complications following a two-year illness. A co-founder of Slayer, losing Hanneman was very difficult for the band. During his illness, a friend of the band, Holt, stepped in to help out on tour with Hanneman’s blessing and stayed on. Around that time, drummer Dave Lombardo exited the band for the third time and Paul Bostaph (who played with the band from 1992-2001), returned to take over the throne. Slayer never skipped a beat, and since Holt and Bostaph both played in Exodus, it was all-in-the-thrash-family.
But it didn’t come easily. As guitarist and Slayer co-founder Kerry King puts it, “I remember the day that Jeff died. It was the day of the Revolver Golden Gods Awards. We knew he’d been sick, but nobody expected it to be so quick. I assumed I’d be able to go out there and see him after I got done with whatever business I had to do and that day never came.
“We went out and toured afterwards to see how we felt about it. That’s what you do as a musician – you either go out and tour or you stop working. Even though we’d been touring for two years without Jeff, thinking he was going to come back, now there was finality to it. And the thing with Gary was that we were all friends. Exodus was the first band we’d ever met that became our friends immediately, and we stayed friends throughout the years. Gary is just a guitar dynamo, and he was the guy.”
Tom Araya agrees. “Jeff would want us to continue. I’d think that if something were to happen to someone else in the band, whoever it was would feel the same way. Just get on with it. Gary’s a friend, a friend of Jeff’s; he knew what was going on and he wanted to help in any way he could, so Gary made Slayer a comfortable place to be. Having Paul back was also a comforting feeling. He’s a former member, and that’s the best thing about it. It wasn’t some other guy. Having Paul and Gary made everything a little easier to handle. It’s about the band. Slayer was a big thing for Jeff, and so I’m looking at it in that sense. It was his baby, too. And we hope we’ve done Slayer and him justice.”
King said that Slayer still had to test the water. “Now we were out to see if it made sense to continue, to see if we liked it, to see if the band still enjoyed it. And the way I looked at it was: if it wasn’t this, it was going to be something that sounded exactly like this, so why not continue doing this? It’s super potent. We’re really tight right now, and we’re stoked that we’re still doing it. Once we had that under our belts, we started thinking about a record and never looked back.”
After two decades with American Recordings, Slayer found a new home with Nuclear Blast, the German independent label known for its metal roster. King is enthusiastic about the move. “I like it,” he declares, stressing the work like. “Having been with American for so long, we wanted to give them first right of refusal because that’s how we are. I think continuity is far stronger than switching all the time. But at the end of the day, Nuclear Blast made us a great offer, and so it was time to move on. At Nuclear Blast, people go to work, they do their job, get paid, and they fuckin’ like it. All hands. So it was the right choice.”
When the time came, Slayer entered the studio with producer Terry Date. Date is the first producer the band has worked with since leaving American, where all their albums were produced or executive produced by Rick Rubin. On working with Date, Araya says, “He’d done all these great albums – Soundgarden, Pantera – and as a singer, I need someone I respect who can tell me whether he likes it or not as opposed to telling me how to do something I’ve been doing for 30 years. He would guide me. That’s why I really liked working with him, because he was so cool. I regard him as a friend, for sure.”
King adds, “It was as business as usual as it could be. The oddest thing for me was Jeff’s presence… not being there. When we were recording, in the past, whether he played or not, having him there and having his opinion and stuff like that, that was what I missed. Jeff’s not being there was the oddest thing.”
Holt came on board to help out with tour commitments when Jeff first became ill. “My role in Slayer started out as a tour and happened to come when I was taking time off from Exodus, and I spoke to Kerry who asked if I could help out. I went down to rehearsal and Jeff showed me some things. I’ve known Jeff forever, but it wasn’t until his memorial that I learned how much of his blessing I really had. At the end of the day, we all wanted Jeff to come back and then tragedy struck; so here we are, five years later, and “Repentless” is coming out and I think Jeff would have loved it. I’m super excited. It’s a good feeling ,and I know it’s got to be a great feeling for Tom and Kerry for all the work they’ve done – and Paul as well. Everybody’s excited.”
“Repentless” marks the return of drummer Paul Bostaph, who was extremely enthusiastic. “Before I was in the band I was a fan and just because I’m the drummer doesn’t mean I stop being a fan; it just means my tickets are cheaper. After I left in 2002 I never thought I’d be sitting on the drum throne with the band again. This particular style of music delivers something for me, musically and physically, that’s challenging and exciting. I feel better as a player, and I’m more mature and the band is maturing and getting better, like fine wine. It feels natural to be back, and it’s good to be back with Kerry and Tom. The San Francisco Bay-area metal scene is very tight-knit – everybody knows everybody. I consider Slayer to be part of that even though they’re from Southern California. Gary and I played together in Exodus and he’s amazing – one of the godfathers of thrash with Exodus – so it’s like coming home for me. And we’re having fun, and I think if we weren’t having fun, we wouldn’t be doing this.”
“Repentless” marks a number of transitions for the band but with their undisputed attitude, Slayer emerges triumphant, says Araya. “After 35 years, the thing that Kerry and I share is our dedication to the band, and Jeff’s included in that. It’s the same with Gary. He’s been doing this a long time, and he’s had the same commitment. It’s a common bond we share with a lot of musicians out there. I’m really excited about the new album; we’ve put a lot of work into it, Kerry especially, and it was all for Slayer.”
“Repentless” is loaded with sensational songs, from the hyper-aggressive metallic blasts of the title track, “Take Control,” “Implode,” and “Atrocity Vendor” to the ferocious thrash pounding of “Vices,” “When the Stillness Comes,” and “Pride in Prejudice,” the album is Slayer through and through. For Bostaph, it’s simple: “The songs are awesome.” Araya puts it bluntly, “This is definitely Slayer. No one will be disappointed with what we’ve done.”
For King, the feeling is mutual. “Musically, for me – it’s certainly not an ‘I told ya so’ because Jeff’s not a part of it – but I do know that a lot of people assumed Slayer’s not going to be functional with Dave not being here and Jeff never being here again. But we did it, and it fuckin’ sounds like Slayer, period.”
Slayer’s place in music history is secure as one of the Big Four (alongside Metallica, Megadeth, and Anthrax); they helped define the thrash metal genre. With “Repentless,” they affirm that Slayer is unstoppable. The band continues fearlessly, aggressively and without contrition – and, most importantly, fucking Slayer still rules.
The wristband policy will be in effect for this event. Fans are permitted on the Hersheypark Entertainment Complex property beginning at 7 a.m. on July 12. Two hours prior to the on-sale, fans will be directed in front of the Giant Center box office, where they will be issued a numbered wristband. Wristbands are available for one hour and, at the conclusion of that hour, a selected fan will randomly choose a wristband that will determine the line order. Once the line is in place, fans arriving after the wristbands were issued will be escorted to the end of the numbered line.
This post was compiled by the staff of NEPA Scene.